Lawrence Weiner

Attached by Ebb and Flow

Language conveys associations: Lawrence Weiner's conceptual work opens wide spaces for interpretation 

 

Titelinformation

Edited by Antonella Camarda. With a conversation with Lawrence Weiner

1st edition

, 2021

Text English and Italian

Paperback

136 pages, 46 color and 9 b/w illustrations

16 x 22 cm

ISBN 978-3-85881-847-8

In collaboration with the Museo Nivola, Orani

Inhalt

Bronx-born postminimalist Lawrence Weiner is one of the pioneers of conceptual art, best known for his use of language as an artistic medium. Descriptive rather than prescriptive, Weiner’s work presents the viewer with an infinite number of meanings and possibilities for realization. His installation Attached by Ebb and Flow, created for Museo Nivola in Orani, Sardinia, is a striking recent example for the character of his art.

This book follows the display of Attached by Ebb and Flow at the museum. It traces Weiner’s travels through Italy from 1963 to the present and reconstructs his exhibition history as well as the relationships the artist has built with people and places across the country. And it offers new insights into the rise and consolidation of the global art world.

 

Antonella Camarda is an art historian at the University of Sassari, Italy, and director of Museo Nivola. 

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Cover

ATTACHED BY EBB & FLOW, exhibition at Museo Nivola, Sardinia, 2019. Photo: Cedric Dasesson. © 2020 LAWRENCE WEINER / ARS, New York / ProLitteris, Zurich

ATTACHED BY EBB & FLOW, exhibition at Museo Nivola, Sardinia, 2019. Photo: Cedric Dasesson. © 2020 LAWRENCE WEINER / ARS, New York / ProLitteris, Zurich

Lawrence Weiner, exhibition at Galleria Toselli, Milano, 1974. Photo: Giorgio Colombo. © 2020 LAWRENCE WEINER / ARS, New York / ProLitteris, Zurich

BESIDE ITSELF and other works in partial view for the exhibition Explorzzioni / 1. Lawrence Weiner, Opere 1969–73, at Villa and Collezione Panza, Varese, 2013. © 2020 LAWRENCE WEINER / ARS, New York / ProLitteris, Zurich

TAKEN TO ANOTHER POINT, Helipad for Egidio Marzona’s Art Park, Villa di Verzegnis, 1990. © 2020 LAWRENCE WEINER / ARS, New York / ProLitteris, Zurich

QUID PRO QUO, exhibition at Gagosian Gallery, Roma, 2008. Photo: Robert McKeever. © 2020 LAWRENCE WEINER / ARS, New York / ProLitteris, Zurich

TO BITCH IS TO BE / CATTIVO È MEGLIO / BÖSE IST BESSER. Performance by DIE DAMEN at Piazza San Marco, La Biennale di Venezia, 1993. Photo: Martijn Van Nieuwenhuyzen. © 2020 LAWRENCE WEINER / ARS, New York / ProLitteris, Zurich

The artist in front of his work in the exhibition Contemporania-Incontri Internazionali d’Arte at Parcheggio di Villa Borghese, Roma, 1973-74. Photo: Giorgio Colombo. © 2020 LAWRENCE WEINER / ARS, New York / ProLitteris, Zurich

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