Usages of Formats in Film and Video Art
ISBN 978-3-85881-888-1
Hg. von Fabienne Liptay, Carla Gabrí, Laura Walde
DOI: 10.53788/TAME0001

Taking Measures. An Introduction
Fabienne Liptay
DOI: 10.53788/TAME0100

48.84723148033432, 2.3373877651102917
Thomas Julier
DOI: 10.53788/TAME0101

Calculating with Images. Data/Networks/Behaviour
Ute Holl
DOI: 10.53788/TAME0102

Images as Measuring Devices. Harun Farocki's Images of the World and the Inscription of War
Volker Pantenburg
DOI: 10.53788/TAME0103

Looking at Krakatau (1930)
Alexandra Navratil
DOI: 10.53788/TAME0104

The Body's Time. Film, Dance, and Ritual in Maya Deren's Explorations
Dorota Sajewska
DOI: 10.53788/TAME0105

The Analog Filmstrip. A Manifesto
Philipp Fleischmann
DOI: 10.53788/TAME0106

Everything Can Be a Film
Marijke van Warmerdam
DOI: 10.53788/TAME0107

Multiformité(s). (Re)Exhibiting and (Re)Making Godard's Le Livre d'image
Jacqueline Maurer
DOI: 10.53788/TAME0108

Media and Development. UNESCO and the Issue of Formats
Benoît Turquety
DOI: 10.53788/TAME0109

Politics of Disconnection. On the Usages of Formats in Some Works by Stan Douglas
Fabienne Liptay
DOI: 10.53788/TAME0110

Wang Bing's 15 Hours and the Chimera of Endlessness
Erika Balsom
DOI: 10.53788/TAME0111

Do You Buy It? Nations of Value in James N. Kienitz Wilkins's This Action Lies
Laura Walde
DOI: 10.53788/TAME0112

Simulated Memory and the Wired Brain. The Emerging Superordinate Precariat
Warren Neidich
DOI: 10.53788/TAME0113

Strange Machines. Some Thins between Art and Biology
Hannes Rickli
DOI: 10.53788/TAME0114

Measuring, Statistics, and Eugenics. Zionism and Modernity in White City by Daniel Gal
Burcu Dogramaci
DOI: 10.53788/TAME0115

Forensis as Critical Practice
Ursula Frohne in conversation with Eyal Weizman
DOI: 10.53788/TAME0116